I work at the intersection of image, sound, and language. Over 15+ years I’ve built visual identities, scored documentary films, and written cultural criticism – not as separate careers but as one continuous practice of finding the right form for a feeling.
I compose and perform experimental music. Four documentary film scores, one of which received a Best Lithuanian Short Film nomination at Scanorama. The directors I’ve worked with have specifically come back for the atmosphere.
My visual work spans identity, print, and to some extent motion. My writing on music and culture appears in the Lithuanian Music Information Centre and various publications. Some of those texts have been called exceptional. I take that seriously. The music has reached further than live rooms – a master’s thesis was written analysing my project’s lyrics through mythopoetic imagery.
Everything connects back to the same question: how does a composition – visual, sonic, or written – create a feeling that couldn’t have arrived any other way.
I believe that every visual, sonic, and written form carries symbolic weight beneath its surface – something older than the message, older than the medium. My work tries to reach that layer. Not to explain it, but to make it felt.